writingchildrenmonsoon
The character who would not come in out of the rain
The first monsoon storm of the year arrived while I was trying to make a stubborn girl behave on the page.
The first real storm of the season came in off the sea yesterday at about four, the kind that turns the afternoon the colour of a bruise and makes the dogs go quiet. I had the window open longer than was sensible. There is a smell that arrives just before it, dust and hot tin and something green, and I have never found the word for it, so in my books I just call it the smell of the sky deciding something.
I was stuck. I had a girl standing in a doorway in a sky village, monsoon coming on, and every grown up in the scene telling her to come inside, and she would not. I had written her going in. It was tidy. Her grandmother wanted her in, the wind was up, the kites were being hauled down all along the ridge. In she went. And the chapter died on the spot.
So I sat with it while the real storm arrived, and I understood what she already knew and I had forgotten. She was waiting for someone. Not a someone who was going to come. A someone who used to stand in that doorway with her and does not any more, and the only place left in the whole village where she could still almost feel them was right there, in the wind, getting wet, being told off. Going inside was not safety to her. It was giving up the last of a person.
I did not write any of that down. That is the trick I keep learning and keep having to learn again, writing for readers who are nine and ten and nowhere near as breakable as we treat them. You do not tell them she is grieving. You do not use the word. You let her stand in the doorway one beat too long, you let the grandmother stop scolding and come and stand there too, both of them getting rained on, and a child reading it will know exactly what the scene is about without once being handed the label. They have all stood in a doorway waiting for something that was not coming. They simply did not have a sky village to do it in.
The storm blew itself out inside an hour, the way the early ones do, all noise and no staying power. I closed the window. The girl is still in the doorway. I think she will go in at the end of the chapter, when she is ready and not before, and her grandmother will have the sense to wait with her.
Children know when you are rushing them. So, it turns out, do characters. I am learning to let both take the time the rain gives them.
Girls who will not be told are the best company, and in When the Island Lost Its Name it is Nemi who sets out to bring her vanished island back into view.
More from the journal
More by Elin Suriya
- The Morning a Word Went Missing 20 Oct 2026
- The Morning the Sky Held Its Breath 20 Oct 2026
- The one thing the magic in my books is never allowed to do 20 Oct 2026
- The afternoon the kite would not come down 9 Oct 2026
On the same subject
- The Spare Pump Is Never Really Spare Gazz S. Quillan · 27 Oct 2026
- Where the word monsoon comes from, and what Hormuz knew about it Nur Hafsah · 25 Oct 2026
- The draft I ruined by letting them kiss on page forty Isla Verene · 17 Oct 2026
- The last ferry, and the one door I will never let my reader open Adele Merchant · 16 Oct 2026
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House rules
- Sign how you like, but be one person. You may use the name on your account, a name of your own choosing, or none at all. What you may not do is wear somebody else's: no pen name of ours, no member's name but your own, and nothing that reads as the studio or its staff.
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What a chosen name is and is not
A chosen name hides you from the room, not from us. Every remark stays linked to the account that wrote it, and the studio can see that link whenever it needs to. Please treat it as a way to speak freely, not as a way to say something you would not put your name to.
Where responsibility sits
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