What to Cook When Nobody Agrees on Breakfast Serina Yap

breakfastvegetarian cookingsavoury mornings

What to Cook When Nobody Agrees on Breakfast

Twenty four savoury breakfasts for the mornings when the kettle is on, the pan is missing and everyone at the table wants something different.

by Serina Yap 4 minute read

The kettle is on. Somebody has asked for toast, somebody else wants a proper bowl, and I am standing at the counter with a tomato that went soft overnight and will not wait another day. That, more or less, is where every breakfast in my kitchen begins, and it is where Morning Has a Spoon begins too.

I did not set out to write a book about impressive mornings. I wanted one about ordinary ones: the slightly rushed, slightly sleepy half hour when the pan still needs finding and nobody has much patience for a complicated plan. Those mornings deserve good food as much as any slow weekend does. They just need it to be honest about the time it takes.

Why savoury

I like a savoury breakfast because it lets yesterday's sensible shopping become today's good idea. A bunch of greens can be folded into warm oats. A potato can take its time in a pan while the kettle boils. A tin of white beans, warmed with tomato and parsley, can make toast feel as though someone expected you.

People are sometimes surprised by this. The first person I told about savoury oats looked at me as if I had put a cucumber in a teapot. But oats are a quiet, willing grain, and mushrooms browned properly in a pan, with a little soy sauce and a scatter of green onion, are as welcome on top of them as anything sweet. Once you stop treating the bowl as a compromise, a great many mornings open up.

Everything in the book is vegetarian, and none of it needs eggs. I wanted breakfast to have other ways of announcing itself: golden corn cakes that pop with sweet kernels, rice cooked fresh for the morning, a pan of potato and red pepper with proper crisp edges, chickpea crepes, pumpkin soft enough to eat with a spoon. The ingredients are the ones you would recognise at a market stall, and a frying pan and a saucepan do most of the work.

Two answers to one question

There are twenty four breakfasts, arranged in twelve pairs. Each pair answers one morning question in two ways. Crisp or soft? Quick or lingering? One plate, or a table of people who each want something slightly different? Tomato on toast sits beside beans in a bowl. Mushroom oats sit beside carrot oats with yoghurt and cumin. You never have to cook both. The pairs are conversations, not a timetable, and you can begin wherever your cupboard tells you to.

I give weights, because a small onion and a heroic onion are different instructions. But I also try to give you what a measure cannot: the sights and sounds that tell you where you are. When the tomatoes should still have a little shape. When a wide spoon should leave a brief path through the beans. When a chickpea cake smells nutty rather than raw. Your stove will not behave like mine, and your tomatoes certainly will not, so the cues matter more than the minutes.

A recipe is a route to the table, not a contest for the final word.

The person across the table

Food is made among people, even when only one person eats it. So through the chapters you will hear a few imagined voices. One insists the tomato should stay raw. Another wants their beans with more broth for dipping bread. A third, still half asleep, would like the last spoonful from the pan, thank you. They are there because a real breakfast table is rarely unanimous, and I would rather make room for that than pretend it away.

In practice that means small, generous habits. Keep a few pieces of tomato back before the pan gets hot. Put the cucumber beside the corn cakes, never on top, so their edges stay crisp and the person who wants a plain one can have it. Offer chilli, lemon or yoghurt at the table instead of deciding for everyone. The food does not require a unanimous vote.

It also means a few plain kindnesses to yourself. Read the method once before the stove goes on. Set out the plates first, because a crisp potato does not wait politely while somebody searches for the right bowl. Keep one clean spoon for tasting as you go. None of this asks you to become a more impressive person before you eat.

Come as you are

The book ends with a pan made to welcome whatever the market sent home, which feels right to me. Most mornings are like that. You have what you have, a little time, and somebody at the table who is only just awake.

If that sounds like your kitchen, I would love you to open Morning Has a Spoon and start with whichever ingredient you most want to eat. Find the pan. The spoon will follow.

More from the journal

All of the journal Every piece, by month

More by Serina Yap

Discussion

House rules

  • Sign how you like, but be one person. You may use the name on your account, a name of your own choosing, or none at all. What you may not do is wear somebody else's: no pen name of ours, no member's name but your own, and nothing that reads as the studio or its staff.
  • Argue with the point, not the person. Robust disagreement is welcome; contempt is not.
  • Nothing unlawful, hateful or harassing, nothing that identifies a private individual, and no advertising.
  • Post only what is yours to post. That includes other people's writing and private correspondence.
  • We may hide a remark, remove it, or close an account to the discussions, and we may do so without notice.

What a chosen name is and is not

A chosen name hides you from the room, not from us. Every remark stays linked to the account that wrote it, and the studio can see that link whenever it needs to. Please treat it as a way to speak freely, not as a way to say something you would not put your name to.

Where responsibility sits

Remarks in this thread are written by members and published without prior review. They are the views of the people who wrote them and not those of eQuill Studio. We do not verify their accuracy, and we accept no liability for them or for any decision taken in reliance on them.

If something here breaks these rules or infringes your rights, report it and we will look at it promptly.

This thread belongs to this piece alone. Members choose how they are signed, and can change it from the box below. When the studio or the writer joins in, the page says so with a badge, so you always know who is talking.

OPENING THE THREAD…